Utrecht, Reflex, 1986, 258 pp. with 41 figures. 8°, OKart.
From 1946 to 1949 - between his wartime association with the Danish art journal Helhesten and his central role in the emergence of the international Cobra movement (1948-1951) - the artist Asger Jorn debvoted much of his attention to the writing of a comprehensive theory of art and society. (Cover). - Spine faded, else a fine copy.
Albanie, Andorre, Bosnie-Herzégovine, Îles Féroé, Géorgie, Islande, Macédoine du Nord, Moldavie, Monaco, Norvège, Suisse, Ukraine, État de la Cité du Vatican, Biélorussie, Royaume-Uni, Serbie
